Archive for July, 2012

031 beolēn บทที่ ๒

July 30, 2012
บทที่ ๒

beolēn บทที่ ๒

composition date : 19th of july 2012 except for
track 023, date : 11th of july 2012
track 024, date : 27th of october 2011
release date : 22nd of july 2012

playlist:
023 afterrage stage – 3min 57sec
024 is a frenzy as subtle as difficult, she – 2min 55sec
025 so applied herself to prosecution, prejudice, – 3min 10sec
026 thoroughly peed herself on multiple occasions – 3min 22sec
027 providing specialised treatment for the lips – 4min 29sec
028 were set in a pout of prosecution, prejudice – 3min 29sec
029 towards patients with patience – 2min 2sec
030 student nurses come – 1min 49sec
031 the therapist gets hard – 1min 46sec

_download mp3 (320kbps)

030 ambrosia nomenclature

July 21, 2012
ambrosia nomenclature

ambrosia nomenclature

INS61’s surfacing of the subsurface
release date : 10th of june 2012

playlist:
01 Moutheyes – 5min 41sec
02 Isolated Submersion – 7min 37sec
03 Fields – 8min 35sec
04 Bi – 2min 44sec
05 Light Culture – 6min 21sec
06 Peak – 1min 11sec
07 Fear In Knowing… – 3min 15sec
08 …The Void – 5min 43sec
09 Missing Feed – 6min 24sec

_download mp3 (128kbps)

as Moutheyes begins, there’s frequency vibrations, leisured but persistent on a deep level, textured and carefully arranged is the higher pitched accompany,
which, at a certain part very much sounds like it is tranforming into waterdrops, accumulating themselves, into a whole new form once more

Isolated Submersion is ambience only, and very puristic at that throughout the whole almost 8 mins.

synthesizer experiments from the 70s-80s resemble the sound matrix layed out in Fields, that initially seemd persistent to the end,
there, however is a dramatic shift suddenly setting in, at an, to me, completely unpredictable position when i listened to it the first couple of times.

…on to more organic surfacing of the subsurface, drawing wave ripples, disposing bubbles as one progresses through Bi.

stylistically, AN distinguishes itself from the previous 2 records, as well as any other noise release i’ve downloaded so far
with an aquatic, frequently heavy or calm tone – dozens to hundreds of fathoms deep in the sea is the environment INS61-03a could have been recorded in.
what i also found noteworthy is the clearness and wide range of frequencies that is achieved despite all files being encoded at mere 128kbps


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